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this assignment, I decided to work on three different explorations.
As I have done some straight forward laser cutting before
(pressfitting acrylics, etc), I wanted to work with new materials
which could take on more organic and less rigid forms or use
the lasercutter in a way I hadn't previously. |
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astro
turf skirt
I
was interested in using a material which had many of the
flexible qualities of fabric but was more rigid in structure,
astroturf seemed like a fun solution, I also tried out different
carpet foams and padding. I was also interested in the modularity
of components, having the whole thing made of one repeated
element, interlocking the fabric without making it seem
like 'tabs' or 'buttons,' and letting the body be the thing
which gives form to the to the piece. perhaps it looks like
a lawn with dew resting on it? maybe it looks more like
flower petal. Penguins, someone mentioned too, its that
flipper thing I think. Its also reversible and gives a whole
different look, more severe.
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bike
basket
Using
sheetmetal as a structural component, combined with astroturf
(which is weatherproof), I was hoping this would offer more
rigidity than a floppy fabric bag but more flexibitity than
a common wireframe basket. I'm dissatisfied with how the
weaving compenent turned out, I'd like to intigrate it more
fluidly with the exterior pattern. I was hoping to make
it look like grass was sprouting out of the metal. The whole
thing needs to be bigger too, to offer more inside space.
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rastering
images
Just
a few weeks ago I returned from travelling in indonesia,
where I spent time delving into the local arts and crafts.
As in so many other developing countries, I was struck by
the fact that although everything is 'hand-crafted' all
of the artisans seems to create the same designs. Where
do these particular designs come from? Why are these the
ones that become popular and replicated? How does it relate
to their economy, is this motivated more by tourism or their
own culture? I have been thinking alot about the arts and
crafts in developing countries as I was supposed to spend
this summer teaching multi-media at a new design school
in Zimbabwe Africa (couldn't go due to their political situation).
Given new technology tools, I was curious to find out what
sort of work students with a distinctly unwestern aesthetic
background would create. To what extent do the tools determine
the aesthetic? This seems particularly interesting in the
case of the CBA labs. Will these change or affect the hand-crafted
aesthetic? These are of course age old questions about industryl
and craft but they seem to be coming to light once again
with new technologies spending into developing nations.
Nothing about me rasterizing images a few images answers
any of these questions, but it was a way to start thinking
about them. I was interested in how the lasercutter could
rasterize a duotoned image much like that of a sculpted
relief. Could using such technologies actually increase
the flexibility of design and pattern, allowing it to be
more customizable? |


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