- Overview
- Publications
- Current Projects List
- Sample Research Projects
- Consortia/Joint Programs
- Research Groups
Affective Computing
Ambient Intelligence
Biomechatronics
Camera Culture
Changing Places
Cognitive Machines
Computing Culture
Context-Aware Computing
Ecology Media
eRationality
Human Dynamics
Lifelong Kindergarten
Media Fabrics
Molecular Machines
Music, Mind and Machine
Neuroengineering and Neuromedia
New Media Medicine
Object-Based Media
Opera of the Future
Personal Robots
Physical Language Workshop
Responsive Environments
Smart Cities
Sociable Media
Society of Mind
Software Agents
Speech + Mobility
Tangible Media
Viral Communications
Research Group Projects and Descriptions
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Media Fabrics
Principal Investigator: Glorianna Davenport Human society is thoroughly immersed in a vast network of communicated information, consisting of media artifacts and procedural structures. Our technologies have become mobile, our story-making fragmentary, our impressions of meaning dynamic. How can we benefit from these changes, while navigating and engaging with these novel aspects of the modern life? Media Fabrics research focuses on a new paradigm: a semi-intelligent organism where lines of communication, threads of meaning, chains of causality, and streams of consciousness converge and intertwine to form a rich tapestry of creative story potentials, meaningful real-time dialogues, social interactions, and personal or communal art and story-making. The media fabric paradigm shapes how we see media construction, exchange, performance, and reflection. It is characterized by six critical attributes: it is connected, integral to our everyday lives, improvisational, mindful, synergistic, and open to self-reflection. As information manipulation becomes something more complex and more personal—as if in "conversation with an audience"—participants dynamically transcend their roles as creators, editors, and audience, continuously weaving and navigating original paths within the media fabric. |
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| 3D: Digital Dialogs for Design |
Glorianna Davenport, William J. Mitchell and Jacqueline Karaslaanian
The project explores how to best engage design collaborators in an ongoing dialogue following a design charette process. A video record of the charette is recorded, parsed, posted, and transformed into an active web of meaning so that salient ideas and themes can be followed through the many phases of discussion. Initial processing is human intensive; however the intention is to apply common-sense technology in the future.
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| Confectionary 2.0 |
Glorianna Davenport and Jacqueline Karaaslanian
This new version of the original online Confectionary project is open and extensible. Designed for constructing and exchanging mediated personal stories, the software invites participants to create story compositions by assembling video, text, image, and audio content within a two-dimensional collage interface. Participants can make use of flexible privacy controls. They publish their stories to a collaborative library and can create a sequence of multiple Confectionaries using the make-path feature. New work involves adaptations for multicultural and international use in schools.
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| Papert's World |
Glorianna Davenport and Jacqueline Karaaslanian
Papert's World invites colleagues, collaborators, friends, and family of Seymour Papert to contribute rich-media stories about his life, his research, and research that he inspired. Participants use the rich-media story authoring and publishing tool, Confectionary, to collaborate on a "media scrapbook" collection. The site is continually updated with useful features such as a shared media library. |
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