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Interpretive Questions on Rand and Martin
   

Erica Rand, "Older Heads on Younger Bodies"

Stephanie K. Dalquist
-Rand mentions that "Barbie consumers of color ...think only about [her] race' and not about Barbie's sexuality. Has this changed at all since the introduction of dark skinned Barbies? Is this trend noticed in races not represented by Mattel?
-How does Mattel explicitly not encourage a sexual fascination with Barbie? Her build, as well as her Mattel-designed clothing, are nothing less than an invitation to sexual fascination, as the girl on p389 has discovered.

Anindita Basu
-What is it about Barbie in particular that inspires such strong feelings of love/hate towards her? How is she different from other dolls or action figures?
-What about the new Generation Girl series? Rand claims that children have a sense of Barbie's identity and meanings, but the gen. girl series started because children have lost some interest in Barbie as a role model, partially because she doesn't have a real back story. How has Barbie's place in society changed? Is it just that so many toys are coming out now which have a stronger back story?

Brandy Evans
-I would've liked it if she had included male stories as well as female stories. I know many male collectors, both gay and straight, some of whom played with Barbies as children and some of whom just got into it as adults; it would be really interesting to see how boys who grew up to be gay or straight played with Barbie in comparison with the gay or straight girls.

Joseph Kaye
-Surely the most interesting aspect of Barbie analysis (as, indeed, much of the analysis in this class) is that it exists. It's not a phenomena I feel I fully understand. But having spent time reading the articles, reading Brandy's site and links from there, it seems that overwhelmingly the most used word to describe Barbie is 'beautiful'. The cultural critism focuses on aspects of Barbie & her relationshp to society. If you were to create a Barbie, one you were satisfied with, what would it be - or is that impossible?

Adrienne DeWolfe
-Does Rand use the word hegemonic to refer to dominant society/culture in general or does she mean heterosexuality specifically? I found her statement about everyone having an answer to "Did you have a Barbie doll when you were a child?" other than "I don't know," resonating in my own small poll also. Is there a male counterpart toy or any cross gender toy with such powerful cultural ethos attached to it?

Max Bajracharya
-Why are children obsessed with having authentic clothing and peripherals for Barbie (and other such toys)? Has this changed (gotten worse) over time with new forms of marketing and technology? Advertising has obviously taken advantage of this, but is there an explanation for the children's behavior (a status symbol among others? is that all it is though?)?

Hilarie Claire Tomasiewicz
-Kids are inquisitive, kids like to explore. DOes the act of poking or burning Barbie's breasts by young girls really ever truly signify anything other than childish curiousity? I can't help being conscious of the fact that it is adults, familiar with their sexuality who are retelling their Barbie experiences who are assigning these gender related aspects to Barbie and not the six year olds who play with them.

Jeannie R. Ben-Hain
-Can you please explain her arguements about Barbie being hegemonic? I didnt really understand what she was getting at. I also found her statement that "Many other dykes told me stories that indicated...a sequential progression from gender outlaw at the Barbie age to sexual outlaw sometime later" interesting in relation to some of the discussions we were having last week.
-Also- Whats a Tammy doll?

David Spitz
-Martin depicts Mattel as marketing to a particular demographic, while Rand sees the company engaged in a hegemonic discourse that edges out consumers on the fringe. How can we reconcile the two?

Jennifer Chung
-Rand discusses the sexualisation of Barbie with respect to little girls... but what about little boys (who either played with Barbies or had sisters who did)? Also, random rememberances: Did you ever see the episode of The Simpsons where Lisa was trying to create a new Barbie-esque toy line to compete with Malibu Stacey? I hadn't realised until Rand pointed it out how easy it is to overlook other issues (race, etc.) because fighting Barbie always seems to be associated with fighting sexism.

David A. Mellis
-I was struck by Rand's use of the word dyke. I don't have any problems with the word, and I think lots of people self-identify as dykes. However, I don't think I've ever seen anyone use it in an essay instead of the word lesbian. Is there anything in Rand's background that would explain this? Does it have any particular significance, or does she just like the word dyke?

Mike Ananny
-At what point does Barbie's appearance (e.g. Barbie in 1950s "pre-diversity days" versus modern day "diversity days") stop being relevant to the issue of cultural/psychological interpretation and at what point does the myth and media surrounding Barbie become the real issue? For example, Mattel may still have exclusive control over the Barbie doll image but it seems to have a life of its own in adult's and children's culture. Has Barbie ceased to be a product having, instead, assumed a meaning independent of its actual form? At this point, it seems appropriate to separate the current product's influence on children from the cultural icon's influence on parents as perhaps two separate objects of analysis.

Walter Dan Stiehl
-Do gay men have a great fascination with Barbie? Why is this true? Is it in anyway related to the fact that the young lesbian women did not seem to herald Barbie because it "didn't roll around in the mud" a very typical male sentiment, i.e. gay men would like Barbie because it was more feminine, etc.

Girim Sung
-Is there a doll that represents ideal manhood like Barbie represents ideal womanhood?
-How well does Barbie sell globally? Since Barbie represents the American definition of beauty, I can't imagine that it would sell well anywhere else.
-Was the first Barbie geared toward adults? I guess I ask because I wonder how children, if believed to be innocent and pure, were even allowed to play with this very sexually suggestive Barbie in the first place?

Alexandra Andersson
-I find that Rand is linking gender non-conformity and Barbie rejection in childhood to closely to later homosexuality.

Char DeCroos
-Does Barbie reinforce overfeminized gender roles (women as trendy shoppers, appearence obsessed, etc) or does it reconcile the abilility for women to both maintain a glamour role and be successful achievers (i.e. palentologist Barbie)? After the Rand reading it seemed that there were almost as many interpretations for Barbie's function as there are types of Barbie (women's lib too, women's feminization tool, dyke coming of age tool, women's motherhood trainer etc.)

Carlos Cantu
-How important is it, then, that children can view Barbie's message critically? Or rather, how much validity can a statement like that have when most of the evidence is taken from adult testimony? We must ask ourselves why the little girl, who can recognize Barbie's message, still feel bad for not living up to the Barbie expectation? There's a larger cultural dynamic at work here one that I believe Mattel capitalized on in the 50's, and one that Mattel continues to perpetuate.

Raffi Krikorian
-How much does mattel actually influence woman's movements with barbie? according to the article, there are entire groups of women who have defined their lives around the pivotal moment of their barbie. There are people who see barbie as emphasizing the woman stereotype, or the stereotype of white-person's definition of beauty -- but the most recent one is the equality betwen women and men.

Adam Smith
-One of the reasons that Barbie has reached such enduring status is she saturation in the market. 99% of girls have at least one Barbie! Could Barbie have reached this status without having an image of the ideal teenage girl?

Daniel Huecker
-Rand's examples seems to move between Barbie as a symbol of the self and Barbie as symbol of someone else. Does the Barbie doll continue the psychological differentiation between "me" and "not me" we've read about in Freud/ Erikson (or even a linguistic separation as in Bruner) to a more sophisticated level?

Melanie Wong
-What should a parent presume, then, when their child says, "I love Barbie because she is so beautiful." ?
-What is meant by counterhegemonic?

Nancie Martin interview

Stephanie K. Dalquist
-Does Martin really believe (p137) that if *Barbie* doesn't introduce girls to the computer that they will never use computers "as a tool?" If they want to go to any school or have any job in the near future they'll have to have that experience!
-Play pattern: Is the pattern there because the tools are (ie why every Barbie comes with a brush) or are the tools there because the patterns are, as Martin insists?
-So "Barbie Storymaker" revolves around Barbie's and Midge's adventures at the mall?? This really reflects Barbie's independent you-too-can-have-a-job personality, doesn't it?
-Is it a valid statement to say that Barbie is not a character? Even if she began as a 3D entity, she has surely been created with a certain image and character in mind, even if she didn't come with a voiceover and other digital accoutrements. Further, even if she was not assigned one originally, she has one now through all of her accessories, the stop-action commercials in which Barbie move, and even from the CDs. All this feminist talk about a doll whose talking version was recalled after telling many girls that math was too difficult. Augh!

Anindita Basu
-Does Barbie software actually attempt/accomplish getting girls into computers? Isn't it a bit "dumbed down?" The games don't seem to be formed such that they encourage girls to move to a higher level, and the applications are extremely simple considering how familiar most girls are with computers now. Is the simplicity ever a turn-off?
-How does the sales of a career barbie doll compare to other kinds of barbies? Do the career dolls come with any back story, information about the job, the type of life Barbie may lead, or is a career simply represented by a different outfit?
-How much freedom do Barbie games allow in creating narratives? Do the interactions have more depth than merely changing dress colors and patterns?
-Martin states that there's nothing wrong with being a feminist and a glamour girl-- that many traditional female roles, such as a ballerina, have been devalued and that Barbie allows girls to see value in those roles. Shouldn't Barbie also be opening the door for other roles, so they can choose the house wife and the scientist, instead of making a dichotomy between traditional and nontraditional?

Brandy Evans
-Let me first say that I really dislike Mattel, and this interview didn't really improve my opinion of them (though she said a few things I liked). There are dozens of questions I'd love to ask a Mattel rep if I actually had one in front of me, and several questions about things said in this interview, but for this assignment I'll just ask: She mentions that they test the software with pairs of girls who are friends; is there a difference in how girls play/what they like to play with when they are on the computer alone as compared to sharing with a friend?
-Also, for Wednesday... After reading both of these, I'm still not exactly sure what would be appropriate to bring in. I actually have the Paleontologist Barbie mentioned in the Martin interview; I could bring in that and other things relating to Barbie's careers etc, or relating to race/ethnicity, or to changes made to her body (I have a growin' up skipper *grin*), or pretty much whatever aspect you want to focus on in the class. Unfortunately, I don't have any Barbie software (except for the Screen Styler CD, which is in the display case anyhow and is geared toward adult collectors rather than little girls), so I can't bring that in; people just have to go to barbie.com to get lots of info on that anyhow. Just give me a direction to go in. :)

Joseph Kaye
-How do you feel Mattel has functioned differently with Martin steering Barbie's course than previously? What *should* Barbie say, anyway?

Adrienne DeWolfe
-There were a couple of statements of Martin that had me dashing the words, "Oh, please, give me a break!" in the margins. I wondered if anyone else had a similar response to the following: "And I have this sort of mission, if you will, that I want all those girls who are now six and seven when they're twenty-six and thirty-six and forty-six, to still be using computers as a tool, and to remember that it's all because of Barbie."
-(Of girls using Designer to dress Barbie.) "You give a girl a tremendous sense of pride at age six and seven and eight, and I want to believe that she can hang onto that for the rest of her life."
-Isn't she making a little too much out of this? Sure girls are being exposed to computers and flexing a creative muscle or two, but isn't it really about entertainment and selling, selling, selling a product?

Max Bajracharya
-Are computer games for girls in the sense that they are being talked about here a fad? Is it really for the girls at all? or the parents who want their children to interact with a computer? How does the intangibility of objects on the screen (say, the dress that is created through a program) effect children? It seems like these games need to combat this problem, unlike a violent shoot-em up, which is "realistic" (or something like that) enough to be fulfilling.

Hilarie Claire Tomasiewicz
-Nancie Martin repeated describes much of the Barbie software as letting girls "feel like they've accomplished something." So,does she think the designing of dresses using this software IS legitimately accomplishing something? It seemed to me that she is speaking down to girls, especially when i see the word "feel" precede all her statements about said girls' accomplishments. Does she feel they have accomplished anything or is she saying that what is important is not the girls' actual accomplishments, rather their perception of having accomplished something?

Jeannie R. Ben-Hain
-Does this woman realize how much she contradicts herself within the same article? She uses the same topic and takes opposite views on it whenever it suits her. If we're talking about Barbie as a role model, then obviously for little girls, "Barbie is, for them, a representative of them, a representative of who they might be when they grow up". Earlier, when talking about whether or not Barbie was "a pretty woman with breasts", she says for little girls, "those things aren't real for them ... [they say] 'Oh, it's just a toy'"

David Spitz
-Why do girls prefer pink to brown?

Jennifer Chung
-By having Barbie 'embrace' diversity and multiple career choices, is this just another form of Barbie embracing the current status quo (it's trendy to be PC), and can we use Barbie as a semi-accurate reflexion of society's current thought, anthropologistically?

David A. Mellis
-Martin says that by putting Barbie products in a pink box, or in the pink aisle, she's not compromising, merely reaching as many people as possible. Do you believe this? I'm not sure I do. I think some of what Barbie does, even those things that Martin says girls want, are enforcing of stereotypes and shouldn't be part of toys.

Mike Ananny
-Martin says that Barbie is "not a character. She's a doll. She's not Mickey Mouse." (p. 143) How is Barbie different from Mickey Mouse? Although I agree that Mickey may be a much stronger, more defined character (through Disney's theme parks, movies, etc.) I think Barbie is also a character. She is perhaps more influenced and defined by her appearance and the context in which she is marketed. I feel like girls (and, indeed most people) have an intuitive sense about who Barbie is and what she stands for and -- while there may be no set play pattern everyone consistently uses with Barbie -- isn't this what defines a character? (Aside: perhaps this distinction between character and doll is analogous, respectively, to the distinction between Barbie as an icon [a culturally defined character] and Barbie as a product [a marketed doll], described in the question on Rand's article.)
-This is perhaps more of a comment than a question but . . . Martin states that a girls' pink aisle in a toy store is a "convenience for the marketplace." (p. 147) This comment seems to minimize the power the toy store's physical layout and design has over the purchasing process. While Martin says that Barbie products help girls explore who they are and what they could be, it seems that the actual sale of Barbie products encourage girls to remain in a Barbie-defined world and a pink aisle. I think this is actually representative of a larger issue: does the Barbie design philosophy Martin describes contradict Mattel's marketing tactics? Martin quite reasonably states that she listens to what seven-year-olds say, follows their lead and tries to ensure that good products reach the largest possible audience. The probably rhetorical questions I'm struggling with are: is the job of toy manufacturers to lead children and help them explore many different possible futures or is it to cater to and respect their desires like any other market segment and ensure that they generate maximum profits for shareholders? Ideally, the answer is both but to what extent are children leading or following the toy industry? Is enlightenment being lost in marketing?

 

Walter Dan Stiehl
-It seems almost a perpetual cycle, putting things in a "pink box to get sold" because it is what the "child wants." Is the child really deciding this on their own basis, or is it simply media absorption.

Girim Sung
-Martin says that girls are very influenced by other girls. So I would be curious to know if the majority of girls are buying Barbie these days because of parent and/or peer influence, or because they really admired the toy itself. For example, if a girl, without hearing anything about Barbie from anyone, went into a toy store, would she want a Barbie? If the answer is no and if the majority of girls nowadays are buying Barbie simply because of its tradition, Mattel then has tremendous power to redefine this tradition.
-Martin likes Barbie because it tells girls, "Oh, so you can look really pretty and you can have a great job, too. Cool!" Barbies are not pretty and perpetuate a distorted vision of beauty. Every generation of women are constantly fighting to break free of this confining stereotype...while every new generation of girls are being taught to embrace Barbie as the ideal woman. I really don't understand how Martin believes that Mattel has a feminist approach. Martin says that in "Talk with Me Barbie," Barbie says things that puncture stereotypes wherever they might exist. It seems that Mattel uses Barbie, a doll blatantly representing the ideal of the conventional female sphere, to say unconventional things. While I understand her argument that this could be a smart way to influence young minds, the problem is that we are living in a world that is becoming increasingly more visual. What a girl sees is more powerful than the mere words of euphemized politically correct advice Barbie tosses here and there. But then, how could one create a successful doll that would teach a girl to look within for beauty or to define beauty for herself?

Alexandra Andersson
-Martin emphasizes how Barbie can be a marine biologist or have other types of occupations not associated with traditional womanhood. But doesn't Barbie still remain a "person" whose primary feature is her physical apperance?

Char DeCroos
-Martin states that we've (with Barbie Fashion Designer) ,"successfully translated how girls play in the physical world to the computer world, and we've done it with a major brand name, and we've sold a lot of volume." I'm wondering about this 'successful translation'. I've never used this piece of software, but it seems to be more of a fashion accessory for Barbie (like Ken). Is Barbie Fashion designer more of a stepping stone into computer usage/comfortability?

Carlos Cantu
-I find it very interesting how she makes so many assumptions about girls favorite colors(girls don't like brown), in how they play(girls don't care how things work, they care about "what else is happening in the room"), in what they like to play with(if they wanna brush a doll's hair, then give them a brush). Aren't the people making those assumptions merely feeding whatever stereotypes they learned as they grew up into the next generations? What can be said about parents who feel "this[Barbie FD] is doing something good for my little girl"? I think toy and software manufacturers would have a lot harder time selling there products if they wanted the little girl as the consumer and not their parents.

Adam Smith
-Martin describes her desire to design for most girls. She mentions the importance in listening to girls to see what they want. But, which girls? Should Mattel brand more violent games for girls? I find Mattel's philosophy of listening to girls desires inspirational but their decision to only produce games that fit the Barbie brand as shortsighted. Why not make some new brands?

Daniel Huecker
-Does Martin see a pedagogical role to her toys?
-What theories does she personally draw from to support her claims of an educational role in play? -- i.e. How does Martin use Winnicott to sell Barbie?

Melanie Wong
-Do boys really (innately) play differently than girls? or are children just socialized to play gender stereotypically?