Machover’s VALIS this way comes

By BMInt Staff

Tod Machover’s first opera, VALIS, garnered rave reviews at its 1987 Paris Premiere. The CD — still available on Bridge Records — earned a  “Best of the Year” from The New York Times. Thirty years later, a brand-new Jay Scheib production, starring Davóne Tines and Anaïs Reno, debuts at the MIT Theater Arts Performance Space (345 Vassar Street, Cambridge) on September 8th and 9th at 7:30 pm and on the 10th, at 3:00 pm. 

“Based on the novel of the same name by Philip K. Dick, VALIS is perhaps even more relevant today—in a world coming to grips with “deep fakes” and the rapid development of AI technology—than when it was first presented. It tells the story of Horselover Fat—the author’s alter ego—who has a devastating-yet-enlightening “pink light” experience. Fat explores the blurred boundaries between reality and AI technology and considers the possibility of hope in a world where all knowledge is available but little of it is verifiable.” The soprano from 1987, our own Anne Azéma, joined me in interviewing Tod Machover.

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